Here are a couple more galleries with more screenshots: and The second gallery has a lot of overlap with the first link in my comment but there's quite a few new ones, too. The Wire is most certainly not about what has been salvaged or exalted in America. A variety of shots are simply that much more powerful in widescreen. The counter argument, of course, being that the 1. You seem more intent on name dropping than anything else.
I highly recommend it if the particulars of the widescreen vs. However, the end result is still a richer understanding of the series, its characters, themes and nuances, and the less obvious intentions of the showrunners, writers and directors. Anyway, that's how I'm going to rewatch it. Will upload pics right now. » Show more for The Wire: The Complete Series Blu-ray. A widescreen version of The Wire — true widescreen, not cropped on the top and bottom — two years ago before returning to its former 4:3 aspect ratio. Edit 2: Last episode, same shit.
It changed the game, its effects can still be felt in other series, so why aren't others carrying its torch? The one real problem is that the show was most likely edited i. Purists will continue to grumble; and perhaps should, if only in principle. Bodie is unhappy that Proposition Joe's people are slinging on his turf, but business flows anyway. There's merit to both positions, but it's also possible to appreciate both versions. It's the stevedores versus the police when Sobotka beats out Valchek for the honor of providing a donor-themed stained glass window for the local church. The whole story would become less real, and more obviously, a film that was suddenly being delivered in an altered aesthetic state.
Edit: I just checked S01E02. If your shots don't match those then some third party has monkeyed with the video in the torrent you downloaded. The great thing about film is that you can rescan the original negatives. For an affluent and technological superpower, with its ever-increasing capacity to impose institutional will on its citizenry -- not to mention the world at large -- it begins to approach the Orwellian. But at that point a collective decision then was made to complete the project using the template that we had honed, the construct that we felt we had used to good effect to make the story feel more stolen than shaped, and to imply a more journalistic rendering of Baltimore than a filmic one. From the streets to the docks, from the drug warzones to the school system, from the offices of The Baltimore Sun to the city's row houses, we see Baltimore not as it longs to be, or as we wish it would become, but as it is, without a coating of sugar or smearing of exaggeration. To deliver the first two seasons in one template and then to switch-up and provide the remaining seasons in another format would undercut our purpose tremendously, simply by calling attention to the manipulation of the form itself.
To shame, if not eradicate. It's also the same German channel and the logo seems to be in the right spot which just makes this even more puzzling. Everybody keeps saying it was shot in 4:3, and that's simply not true. Especially when they've done this extremely well. I'll trust the creators and visual proof showing it's not a crop from the 4:3 image over some random torrent. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. It isn't distracting or disappointing; just less involving on a regular basis than I was expecting.
For more about The Wire: The Complete Series and the The Wire: The Complete Series Blu-ray release, see the published by Kenneth Brown on May 19, 2015 where this Blu-ray release scored 4. If this is what happens to The Wire, this is going to be bad news. These things send us scurrying away, searching for entertainment that distracts us from the cold, hard truths we hate to face. That link clearly shows that the 4:3 shots have been opened up wider to produce the 16:9 shots giving us more image, most clearly evidenced in the graveyard shot. But it was The Wire that fundamentally altered -- and continues to alter -- the television landscape as we know it and drive public discourse, demanding unparalleled commitment from its audience, presenting viewers with the most challenging of themes, and never backing down from a fight. In fact, if you didn't know The Wire hadn't always been presented in 1.
Aspect ratio adjustments and comparisons aside, how does it look? Carcetti finds there are strings attached in his desire to get rid of Burrell. It seems like they zoomed in on a lot of stuff, especially close-ups on faces, to still keep the focus of the shot prominent in the frame. Upstairs, the mother discovers that one of her kids has been killed getting ready for school. More as we get it. Edit 2: Mind you, that is rip from the tv broadcast. A time-consuming and costly process to be sure.
Edit 3: Interesting how the Coca-Cola sign dissapears completely like it never existed. What the hell does that even mean?? Ideal would have been nice, but this will do quite nicely. After a conversation with a judge, Det. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-B Available Torrents: Name Size Seed Leech Download Magnet 9. Sobotka explains the reasons for his paranoia and advises that The Greek shut down the warehouse. While McNulty investigates the deaths of homeless men, Freamon needs the help of an old friend.
Simon also explained: In much of the essay, Simon goes into the process of having to compromise the original composition of certain shots in order to meet the 16:9 requirements, but in order to do so, the former showrunner along with the team in charge of the project made sure it was the best possible version of the shot that could exist in the new format. And its 20-disc Blu-ray release? Personally, I find that I actually prefer the widescreen version of The Wire to its full frame counterpart, and I was previously one of those very skeptical purists I mentioned above. But the rewards are great and the pursuit even greater. Quite being the key word. Dialogue is clear, intelligible and perfectly prioritized at all times too, although you may, by no fault of the track whatsoever, find yourself turning on subtitles when it comes to deciphering everything select characters are saying. Shows that were shot on tape like most sitcoms from the 80s and 90s cannot be. They are from the last episode of Season One Here's some text from the version and from the version.
The show was intentionally shot in 4×3 as a stylistic choice. The Wire requires patience, observation, attention, analysis, commitment, and more patience, refusing to let its audience simply absorb its story and encounter its characters without being haunted by tremendously difficult questions that demand thought, reflection and the kind of societal soul searching that's far from comfortable. Even the series' shadows, which tend to border on aggressive, are home to a great deal of detail. I suspect what relatively little controversy has been swirling around The Wire's 1. The widescreen image is that organic, rewarding and seamless. It's only now that they're retroactively going back to the negatives of older shows for example The X-Files and bringing it into 16x9 land. Saturation is warm but lifelike, with natural skintones, lovely primaries, and deep, satisfying black levels.